Download Cablegram Font Family Style
Download Cablegram Font Family
family of 5 fonts from T-26
An elegant fine serif gives this font that unique beautiful charming feeling. This a great font for that real sophisticated high end look.
Like a fine wine this font is sure to please your taste.
Bring back the glory of winters in Miami Beach, exotic summer vacations or Deco-era night spots with Cabana Club JNL - a retro-Deco font, complete with contour outline and solid black characters.
font family from Fabio Godoy, added yesterday
Typographical Caballero is a family created by Fabio Eduardo Godoy Angel, the concept is inspired by a type with firm and clear, with perfect posture and personality to be used by Graphic Designers and Architects, in terms of print, TV Corporate Identity, Merchandising - Other Projects. Ideal for antettulos, titles, subtitles, texts from 12 Pts. Caballero Outline and Caballero Outline Italic, are presented as an option for antettulos, titles and subtitles as well as short texts from 20 Pts. Caballero in his presentation Outline, allows wide range of applications in regard to the use of color, and be combined with Caballero Regular and Caballero Italic. Font Project Caballero, is set with a vertical and horizontal logic calligraphic lines, amount of contrast medium, antlers mullet and its completions are straight.
font family from Fabio Godoy, added yesterday
Typographical Caballero is a family created by Fabio Eduardo Godoy Angel, the concept is inspired by a type with firm and clear, with perfect posture and personality to be used by Graphic Designers and Architects, in terms of print, TV Corporate Identity, Merchandising - Other Projects. Ideal for antettulos, titles, subtitles, texts from 12 Pts. Caballero Outline and Caballero Outline Italic, are presented as an option for antettulos, titles and subtitles as well as short texts from 20 Pts. Caballero in his presentation Outline, allows wide range of applications in regard to the use of color, and be combined with Caballero Regular and Caballero Italic. Font Project Caballero, is set with a vertical and horizontal logic calligraphic lines, amount of contrast medium, antlers mullet and its completions are straight.
family of 4 fonts from Cape-Arcona
Yum, yum, a fat sausage font including plain and highlighted letters and a Stencil style if you need to spray something on walls. No, no!
Yum, yum, a fat sausage font including plain and highlighted letters and a Stencil style if you need to spray something on walls. No, no!
A Trash version is also included if you like dirt typefaces.
family of 2 fonts from Cape-Arcona
The signs of the concerthalls where Elvis played night after night inspired to create this funky lightbulbfont.
family of 2 fonts from Cape-Arcona
An original headline font and only available in uppercase letters.
CA Texteron is a modern text font family to cover the most common typographical needs with a minimum of weights. It is aiming for a serious but unconventional look, which is achieved by combining round and edgy forms in the same font, often in the same glyph, and by using Humanist and modern form-principles at the same time.
It merges classical type-design with an experimental spirit. CA Texteron combines elements of the dynamic renaissance principle with the static neo-classic style, which makes it hard to classify.
The result is a post-modern hybridization. More…
The Regular weight works best in text size, and with more letter-space also for footnotes. The low contrast makes it robust and legible even in very small sizes.
Bold, Italic and Small Caps are intended for emphasis. Bold, Bold Italic and Heavy make good headlines, that reveal the unconventional details. The Italic is not just a slanted version of the Regular weight but has individual forms and typical italic characteristics.
family of 1 font from Cape-Arcona
Stefan Claudius developed this font while he was sitting in a small chalet in Denmark with a hot wood-oven and nothing but snow outside.
Probably the amount of white led him to make it so thin and to have as much space between the lines as possible. If you have that in mind, it looks best in large sizes.
CA Recape is a weird and beautiful vintage script family with two styles. Its an excellent choice for creating logotypes, headlines, signs, poster and any design that requires a custom-made feeling.
The basic inspiration for CA Recape comes from American 50s lettering.
But instead of reviving one special style, it is a kind of Best of-Remix. It takes the weirdest and most beautiful letterforms of a weird and beautiful time and merges them into one font.
The outcome is a charming bastard. Guess what it looks like: Weird and beautiful.
CA Recape is packed with a lot of OpenType features like underlining swashes, Stylistic, Discretionary, Titling and Contextual Alternates and Ligatures for use in OpenType savvy programs.
It also comes with some nice Ornaments. More…
Derived from the original typeface, Cape Arcona Type Foundry also offers a Raw style that has the distressed look of a poorly printed raw font.
font family
CA Recape is a weird and beautiful vintage script family with two styles. Its an excellent choice for creating logotypes, headlines, signs, poster and any design that requires a custom-made feeling.
family of 2 fonts from Cape-Arcona
After throwing a television out of the window of the 4th floor of a hotel room somewhere near Austin/Texas, Thomas Schostok painted “driven by hate and anger” in this rebellious two style typeface. This typeface shall remind us every day of the “indifference of the mainstream” of which we take a shower every day after wake-up.
family of 2 fonts from Cape-Arcona
After throwing a television out of the window of the 4th floor of a hotel room somewhere near Austin/Texas, Thomas Schostok painted “driven by hate and anger” in this rebellious two style typeface. This typeface shall remind us every day of the “indifference of the mainstream” of which we take a shower every day after wake-up.
Prologue was designed to look like a postmodern typewriter. With plain and simple upper cases and trickier lower cases. Three weights give a good variety for all kinds of designs and seem especially well made for headlines and short teasers.
Prologue was designed to look like a postmodern typewriter. With plain and simple upper cases and trickier lower cases. Three weights give a good variety for all kinds of designs and seem especially well made for headlines and short teasers.
CA Normal is a typeface aiming for beauty without ostensible effects, merely relying on clarity and well balanced proportions. True beauty is not to be found in perfect geometry, so slight irregularities and inconsequences are spread throughout the typographic image.
Thats perfection through imperfection.
CA Normal merges influences from European grotesques and American gothics, breeding an experimental mongrel. The underlying concept stays in the background, giving the design a great self-evidence.
Although it is doubtful if there can be such thing as neutrality, CA Normal comes pretty close to what people mean when speaking of a neutral font. Nevertheless its not faceless, anonymous or confound able.
Its just that the charm comes from subtle details rather than obvious design features. More…
As good text typefaces must not be too smooth nor too agitated, CA Normal is smuggling little uneven details into the typographic image, that keep the readers eye awake.
The well crafted oblique follows the grotesque tradition which knows no individually drawn italics.
A rather unexpected addition is the reverse oblique, a style mainly used for maps.
Under the classic surface lies a modern well equipped font, featuring small caps, a Central European character set and numerals in all kinds of flavors.
Numerous ligatures round up the overall impression. By default CA Normal will set numbers as proportional lining figures. But if you prefer oldstyle figures, or tabular figures, just use the OpenType functions of your layout program.
These allow access to the small caps as well, which feature a complete central European character set, brackets, punctuation and lining figures in small caps height.
CA Normal is a typeface aiming for beauty without ostensible effects, merely relying on clarity and well balanced proportions. True beauty is not to be found in perfect geometry, so slight irregularities and inconsequences are spread throughout the typographic image.
Thats perfection through imperfection.
CA Normal merges influences from European grotesques and American gothics, breeding an experimental mongrel. The underlying concept stays in the background, giving the design a great self-evidence.
Although it is doubtful if there can be such thing as neutrality, CA Normal comes pretty close to what people mean when speaking of a neutral font. Nevertheless its not faceless, anonymous or confound able.
Its just that the charm comes from subtle details rather than obvious design features. More…
As good text typefaces must not be too smooth nor too agitated, CA Normal is smuggling little uneven details into the typographic image, that keep the readers eye awake.
The well crafted oblique follows the grotesque tradition which knows no individually drawn italics.
A rather unexpected addition is the reverse oblique, a style mainly used for maps.
Under the classic surface lies a modern well equipped font, featuring small caps, a Central European character set and numerals in all kinds of flavors.
Numerous ligatures round up the overall impression. By default CA Normal will set numbers as proportional lining figures. But if you prefer oldstyle figures, or tabular figures, just use the OpenType functions of your layout program.
These allow access to the small caps as well, which feature a complete central European character set, brackets, punctuation and lining figures in small caps height.
family of 1 font from Cape-Arcona
Inspired by a Russian book about Moskow’s plan to take over the world, this font was generated to give digital prints the taste of handlettering. No kerning, just careful spacing.
The Italic version of CA Emeralda was inspired by a headline in an industrial advertisement magazine from the early fifties. Starting from a few letters it evolved into a catchy retrofont and was completed with a more modern script style.
family of 1 font from Cape-Arcona
Cape Rock is foremost an impressive display font.
family of 1 font from Cape-Arcona
Cape Rock is foremost an impressive display font.
Based upon CA BND (the clean version) CA BND Trash is a rough and dirty version of our favorite DIN-like font.
We recommend it for use in zombie movies title design, headlines for ads of a soft-drink manufacturer (who hopes to be cooler, if he uses rough typefaces), or for emocore, hardcore, softcore or "whatever-core" bands.
Uhhh, its the time for the living dead.
Based upon CA BND (the clean version) CA BND Trash is a rough and dirty version of our favorite DIN-like font.
We recommend it for use in zombie movies title design, headlines for ads of a soft-drink manufacturer (who hopes to be cooler, if he uses rough typefaces), or for emocore, hardcore, softcore or "whatever-core" bands.
Uhhh, its the time for the living dead.