Calligrapher Expressive is one of the calligraphic group of fonts called 21 alphabets for Calligraphers.
All graphemes are taken from calligraphic pages written in Expressive calligraphic style with nibs made of cans.
This font is ideal for calligraphic sketches or for imitation of ancient manuscripts.
The font contains all the Latin glyphs.
Calligrapher Expressive is one of the calligraphic group of fonts called 21 alphabets for Calligraphers.
All graphemes are taken from calligraphic pages written in Expressive calligraphic style with nibs made of cans.
This font is ideal for calligraphic sketches or for imitation of ancient manuscripts.
The font contains all the Latin glyphs.
Calligrapher Cursive Modern, is one of the calligraphic group of fonts called 21 alphabets for Calligraphers.
All graphemes are taken from calligraphic pages written on Cursive Modern calligraphic stile.
This font is ideal for calligraphic sketches or for imitation of ancient manuscripts.
Cal Cursive Modern contains all the Latin and Cyrillic glyphs.
Calligrapher Cursive Modern, is one of the calligraphic group of fonts called 21 alphabets for Calligraphers.
All graphemes are taken from calligraphic pages written on Cursive Modern calligraphic stile.
This font is ideal for calligraphic sketches or for imitation of ancient manuscripts.
Cal Cursive Modern contains all the Latin and Cyrillic glyphs.
font family from Posterizer KG, added yesterday
Cal Bakerly, is one of the calligraphic group of fonts called 21 alphabets for Calligraphers.
All graphemes are taken from calligraphic pages written in Arthur Baker’s calligraphic style.
This font is ideal for calligraphic sketches or for imitation of ancient manuscripts.
This font contains all the Latin and Cyrillic glyphs.
font family from Posterizer KG, added yesterday
Cal Bakerly, is one of the calligraphic group of fonts called 21 alphabets for Calligraphers.
All graphemes are taken from calligraphic pages written in Arthur Baker’s calligraphic style.
This font is ideal for calligraphic sketches or for imitation of ancient manuscripts.
This font contains all the Latin and Cyrillic glyphs.
Cake Script is the script that is used on birthday cakes, or at least it is what I think should be used on those cakes.
I give you two weights for the price of one font.
Your designer with a sweet tooth, Gert Wiescher
Cake Script is the script that is used on birthday cakes, or at least it is what I think should be used on those cakes.
I give you two weights for the price of one font.
Your designer with a sweet tooth, Gert Wiescher
Caitiff is a unique hand drawn serif. It includes about 25 ornaments to compliment your text and a couple of stylistic alternatives to your capital letters. Caitiff Slanted is an oblique version of Caitiff. Caitiff is a decorative typeface. You can use Caitiff in any setting; children’s books, beer labels, organic food packages, menus... the sky is your limit!
family of 6 fonts from IHOF
Caffe was originally designed for the Artz Gallery Cafe in Budapest Hungary.
family of 6 fonts from IHOF
Caffe was originally designed for the Artz Gallery Cafe in Budapest Hungary.
Caf Brasil is a typeface created & published by Sofia Mohr in 2013 that is based on the shape of a cooffe bean. This font was designed for cooffe lovers and contains a lot of details like: cooffe cups, cooffe beans, cooffe pots, espresso etc. It can be use in packaging, logo, menus etc.
Foundry: Sofia Mohr
Formats: Open Type OTF
Glyphs: Basic Latin/English letters,West European diacritics,Euro, Ligatures
Licence:Desktop, Webfont
Released: 2014
Price: both fonts $59
Caf Brasil is a font designed to represent coffee, specially for it’s use in packaging, brand titles, logos and menus. Based on the shape of a coffee bean, Caf Brasil has delicate details and ligatures which represent the liquid, foam and steam of a good cup of coffee.
In March 2014, Caf Brasil was chosen to be part of the main exhibition at the “Tipos Latinos 2014”.
font family from Linotype, added today
A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.
font family from Linotype, added today
A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.
Cabrito Sans is a sans typeface created byJeremy Dooley and published byinsigne. Having as a source of inspiration the well-received Cabrito (which was inspired by a children`s book), Cabrito Sans is characterized by simple, soft and rounded forms which confer a modern and friendly look to your design. It favours legibility and reads easily as body text or display headlines.
Foundry:insigne
Formats:Open Type OTF
Glyphs: Any Open Type Features, Basic Latin/English Letters, West European Diacritics, Euro, Ligatures, Small Caps, Central Europe, Baltic, Turkish, Romanian, Open Type Alternates, Open Type Swash
Licence:Desktop, Webfont
Released:2014
Price: 48 fonts for $28.52
Cabrito Sans is a trademark of insigne.
Life’s always more fun when you reverse the stress. The same goes for the new member of the Cabrito family. Cabrito itself is a recently developed slab serif made for the kid’s book The Clothes Letters Wear. Cabrito proved to be more popular than I thought, and I promised I would create an inverted style for this new addition to the font world--a variant that would pair well with the original or even stand well on its own. More…
Life’s always more fun when you reverse the stress. The same goes for the new member of the Cabrito family. Cabrito itself is a recently developed slab serif made for the kid’s book The Clothes Letters Wear. Cabrito proved to be more popular than I thought, and I promised I would create an inverted style for this new addition to the font world--a variant that would pair well with the original or even stand well on its own. More…
After my son was born, I found myself reading him a lot of books. A LOT of books.
Some were good, some were great, but I found myself wanting to develop something using my skills and interests to make something that only I could make.
In short, I realized my son needed to be indoctrinated--I mean, introduced into the wonderfully wild world of fonts.
So, I set about to make a board book to teach about typography, called “The Clothes Letters Wear.” You can learn more about the book here, and pledge to receive a copy on Kickstarter.
I've made the captivating illustrations bright and colorful, and the use of different letter forms makes for a fascinating read to delight ages young and young at heart.
And, as an added bonus, this children’s book has a custom designed font.
I'am always looking for an excuse to design a new font, and this book created the perfect alibi.
Drum roll, please. More…
This new serif typeface incorporates the latest research on typographic legibility for children, features to make it--well, extra legible. A little background: studies show that Bookman Old Style is one of the most readable typefaces, and as a consequence or perhaps the reason why, it is used thoroughly for childrens books.
This font became my initial inspiration for the typeface. Then, I found more legibility research saying that (brace yourselves) Comic Sans is also very legible for beginning readers, much due to the large x-height and softer, easily recognizable forms.
In addition, forms that are closer to handwriting also seem to be more legible. Once I threw all that into my cauldron and stewed it a bit, the result was a pleasantly rounded typeface that includes not-so-strictly geometric, handwriting-inspired forms for the b, d, p, and q.
Es guapo!
Splash a little more color on the page with the firmer look of the thicker weights. Cabrito’s upright variations across all weights are matched by optically altered italics, too, giving you even more variety with the font family.
The fashionable options involve a significant team of alternates, swashes, and meticulously refined aspects with ball terminals and alternate titling caps to decorate the font. Also bundled are swash alternates, old style figures, and small caps.
Peruse the PDF brochure to check out these options in motion. OpenType-enabled applications like the Adobe suite or Quark allows comprehensive control of ligatures and alternates. This font family also provides the glyphs to aid a variety of languages.
Use it to convey warmth and friendliness on anything from candy and food packages to childrens toys, company IDs or run-of-the-mill promotional material. Cabrito’s unique appearance and high legibility make it equally at home in print as it is on a screen.
After my son was born, I found myself reading him a lot of books. A LOT of books.
Some were good, some were great, but I found myself wanting to develop something using my skills and interests to make something that only I could make.
In short, I realized my son needed to be indoctrinated--I mean, introduced into the wonderfully wild world of fonts.
So, I set about to make a board book to teach about typography, called “The Clothes Letters Wear.” You can learn more about the book here, and pledge to receive a copy on Kickstarter.
I've made the captivating illustrations bright and colorful, and the use of different letter forms makes for a fascinating read to delight ages young and young at heart.
And, as an added bonus, this children’s book has a custom designed font.
I'am always looking for an excuse to design a new font, and this book created the perfect alibi.
Drum roll, please. More…
This new serif typeface incorporates the latest research on typographic legibility for children, features to make it--well, extra legible. A little background: studies show that Bookman Old Style is one of the most readable typefaces, and as a consequence or perhaps the reason why, it is used thoroughly for childrens books.
This font became my initial inspiration for the typeface. Then, I found more legibility research saying that (brace yourselves) Comic Sans is also very legible for beginning readers, much due to the large x-height and softer, easily recognizable forms.
In addition, forms that are closer to handwriting also seem to be more legible. Once I threw all that into my cauldron and stewed it a bit, the result was a pleasantly rounded typeface that includes not-so-strictly geometric, handwriting-inspired forms for the b, d, p, and q.
Es guapo!
Splash a little more color on the page with the firmer look of the thicker weights. Cabrito’s upright variations across all weights are matched by optically altered italics, too, giving you even more variety with the font family.
The fashionable options involve a significant team of alternates, swashes, and meticulously refined aspects with ball terminals and alternate titling caps to decorate the font. Also bundled are swash alternates, old style figures, and small caps.
Peruse the PDF brochure to check out these options in motion. OpenType-enabled applications like the Adobe suite or Quark allows comprehensive control of ligatures and alternates. This font family also provides the glyphs to aid a variety of languages.
Use it to convey warmth and friendliness on anything from candy and food packages to childrens toys, company IDs or run-of-the-mill promotional material. Cabrito’s unique appearance and high legibility make it equally at home in print as it is on a screen.
family of 3 fonts from John Vargas Beltrn
Cabriolet is a connected geometric script re-interpretation inspired by old chromo emblems of Chevy truck Apache of 1960. With three weight variables, it can be used in logos, games and graphic related to cars, automotive, American, Detroit, Art Deco, 1940, 1950, 1960, vintage, retro, classic and old machines. Can be expandable using underscore for connect words or expanding between letters space.
family of 3 fonts from John Vargas Beltrn
Cabriolet is a connected geometric script re-interpretation inspired by old chromo emblems of Chevy truck Apache of 1960. With three weight variables, it can be used in logos, games and graphic related to cars, automotive, American, Detroit, Art Deco, 1940, 1950, 1960, vintage, retro, classic and old machines. Can be expandable using underscore for connect words or expanding between letters space.
Cabragio is a free-flowing informal font, very curvy and quite heavy. The free-flowing effect is especially apparent in the lower case letters, and this font is definitely something a bit different -- yet is highly readable and attractive.
Original and distinctive!
