Display Plump is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. There are numbers and punctuation located under their respective keys.
The Gerald Gallo foundry now offers 211 font styles.
A classic Art Nouveau face, originally known as either Domingo or Brillante. Its sinewy forms and narrow letterforms make it a natural choice for large, evocative headlines. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.
Despatxada letters are the scans of the alphabet of a manual rubber press. Letter by letter. Real prints. Real textures. You will not find another typeface like this. An heroic font in the digital era.
Decima Mono X is the upgraded edition of Decima Mono fonts (released in 2009). This version consists of the same (six) styles updated with larger character sets by extending number of Latin languages and by adding Cyrillics.
The typeface is intended for use in display sizes, but is also quite legible in text and is well suited for editorial and brand design.
Decima Mono X is released in OpenType PS (.otf) format with a Latin Western 1252, Eastern European 1250, Baltic 1257, Turkish 1254 and Cyrillic 1251 character sets.
Here’s a classic face from Dutch master type designer Sjeord H. de Roos. Use it where timeless elegance is the goal. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.
Davies serif, a display text type.
Darwin font family is a eclectic mix of grotesque, geometric and humanistic styles, includes 20 fonts, 10 normal and 10 alt sub family, the alt variant gives spice to the compositions. The font family is good for headlines, little text, posters and logos.
Darkstone is a hybrid blackletter display font which combines features of the fraktur and old english. The level of detail in the glyph drawings enables the users to exploit the pure form of the letters in big sizes.
Darkstone is great for labels, mastheads, branding, advertising, posters, etc.
Crypton is a modern geometric design by Alex Kaczun. It’s an alternate style variation based on his popular Contax Pro family of fonts. The look is clean, smart and sophisticatedthe chiseled end strokes reflect the rage of the 1980s; lettering that represented something to do with electronics, computers and outer space.
It’s a futuristic sans-serif exploration of shape and form.
This display font is not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications.
The entire font has an original look which is strong and dynamicit can be widely used in publications and advertising. More…
This attractive display comes in roman with lower case and lining figures.
Crop is the guy who works till 3am, striving for greatness. Crop is the one in the gym at six in the morning, pushing harder every time. Taking no for an answer, just isn't part of the deal. Crop is the one with fire in his heart and eye intense enough to achieve the unthinkable.
If you've never stopped pushing boundaries, if you think second place isn't worth getting out of bed for, if you can stand on the top of the world and ask, ‘What’s next?’ - Crop might just be the one for you!
This contemporary typeface is inspired from Neo-humanist and Geomatric industrial tone presented the late 2000s typeface.
The font family is also composed ofthe normal width anddisplay width in order to support the different applications on the delicate designs.
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, an original creation by Alejandro Paul.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school.
Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish from merely fancy to over-the-top engrossery.
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Core Rhino is a contemporary typefamily designed by S-Core. The fonts have the mood of brushed feeling and come across as soft and gentle. Core Rhino displays warmth through its roundness and curved letterforms.
Also it is legible in prints and on screens.
The Core Rhino family consists of 7weights (Thin, Extra Light, Light, Regular, Bold, Heavy, Black) plus matching italics.
The OpenType fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets.
Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions.
If you are looking for a sans serif style font which is practical and friendly, get this family and save your time.
Core Magic is a slab-serif version of Core Circus which is a layered type family consisting of seven 3D effect layers, eight 2D effect layers and one shadow effect layer. Uppercase and lowercase letters are separated by such features that counters are opened or closed.
Core Magic provides other closed counter styles such as numbers with opentype feature (Stylistic Alternatives). Using Core Magic with Core Circus could make your works more charming and special with endless combinations (at least 262,551 kinds).
This family is really nice for book titles, headlines, logotypes and any artworks.
Core Deco is an Art Deco Fonts Family which consists of various styles, inspired by some art deco posters from late 1930s to 1950s.
There are two major styles of this type family. One is thin and elegant and another has strong contast.
Each style has alternative shape like 3-D structures, patterns, outlines and so on. Except for Core Deco, others are named Core Deco A,B,C as their styles. Basically every single font of Core Deco family has geometric shape and two width variations of characters, narrow and wide.
Despite of different styles, every font goes well together because of their common parts. Though its not intended, some similar styles could be layered together. More…
Cool Crayon is a nice typeface I created with the black crayola from my 3 year old son’s crayola box. It was broken (because he tends to throw them around), but I managed to get the glyphs onto a sheet of paper.
Cool Crayon is similar to Crayon Crumble, but is rounder and thicker. Cool Crayon comes with extensive language support.
Coming Home is a hairline curly script based on a childish handwriting. Shapes and curves give a fresh personality and a sweet home-made touch perfect for crafts, packaging, party invitations, sweet tables and many other uses.
Coco FY is a vintage script font reminding of storefronts sign paintings, and other hand-lettered street signs. With its high contrasts and its condensed forms, Coco FY will give an original retro style to your designs.
This font will certainly find its pleasure on posters, packaging and branding.
Coco FY was co-created by Bertrand Reguron & Gia Tran on fontyou.com, the first collaborative type foundry.
Layering of individual styles forms the basis for the sans typeface Clown.
The font family comprises 18 various styles that precisely fit together. Simply cover one style over another to create over 150 original typefaces to freshen up your work. Clown is a striking headline font that would work well for a retro-style caf, bar or club and evokes the style of a Wild West saloon. A similarly decorated typeface was popular for decorating posters and advertisements in the early 19th century. More…
Clocko automatically turns the time stamp text into an analog clocks using the OpenType ligatures. Even when the ligatures are turned off, the time is still visible and readable, and it does not change or ruin the layout.
Perfect for web usage and even for small sizes. For a crisp look, please use sizes divisible by 30, for example 30pt or 60pt.
To make a custom analog clock, type any uppercase or lowercase letter to have a border (see previews for examples), and than type the time in 12 hour or 24 hour format with or without seconds.
Use colon, comma, semicolon, hyphen, period or plus as a separator. Few examples: More…
Please note that in order to keep the clocks visible, the background shape and the clocks need to have a different colors.
Cindy Kinash and Charles Gibbons Ciao Bella pairs the funky elegance of a hand-drawn copperplate script with four ornament fonts. The Ciao Bella scripts full range of international characters and alternates use of the power of OpenType to automatically create a genuinely hand-lettered look.
Whats truly innovative about Ciao Bellas ornaments is that many of the drawings come in pairs that can be set in multiple colors without any stacking, layering, or aligning.
They work in any application that supports kerning even most word processors. See the Gallery link above for details.
With its friendly curves and ballpoint pen shapes, Chelly FY is a lovely script font.
Generous, young and feminine, this font will certainly express all its freshness for girly designs, menu-boards, packaging or branding.
Okaycat Font Foundry proudly presents “Cat Talk”! An excellent illustrated picture font containing so many cute cats on the capital letters and small letters without cats to compliment, for easy cat designs.
If you're looking for related fonts without cats, you might want to try our Maple Street and Maple Lane fonts.
Castor is a woodtype and letterpress hybrid based on grotesque letterforms. Its a vintage decorative bold distressed display with 3 options for each letter; Uppercase, lowercase, and alternates.
Castor comes complete with 4 styles plus catchwords, unique catchword dividers (horizontal rules), ornaments, as well as a free set of extras! (grunge, dividers and bullets) The catchwords, ornaments, and dividers are designed to compliment the font family giving it a ton of diversity, and the designer unlimited creative options.
Opentype features include alternate letters and numbers, double letter ligatures for realism, subscript numbers,and superscript numbers.
There are times when a customer might look over a dingbat font and like a few of the images because they suit a particular need, but hesitates on purchasing the font because enough of those images isn't available.
For all of the lovers of vintage letterpress cartoon cuts, Cartoon Cavalcade JNL collects sixty two assorted images from many of the Jeff Levine Fonts dingbat collections and places them within one singular file.
The Cardea family of typefaces is the outcome of David Cabianca’s 200304 MA Typeface Design experience at the University of Reading. With Cardea, Cabianca intended to mix classical and modern characteristics, and in the process he created a typeface that “sparkles” on the page, with high contrast, luster and crisp edges. The result is a type with a muscular or sculptural feel much like the work of
artists Arne Quinze or Mark di Suvero.
Cardea was designed to function as a text face. It features three weights each with accompanying italics, small caps and a variety of ligatures.
Campton is a simple sans serif with a geometric skeleton, based on the mid to early twentieth century visual trend of achieving neutrality. Although, there are a lot of typefaces focusing on similar principles, tries to find its niche in the field of anonymous typefaces by combining simplicity with a subtle friendliness.
It is perfectly suited for graphic design application ranging from editorial and corporate design via web and interaction design through to product design.
This nave script was discovered in a French printers' magazine from 1927. Its total lack of pretension makes it warm and inviting. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.
Brandon Printed is based on the famous Brandon Grotesque typeface. It has an eroded, printed look with four variations of every letter. With several different styles like a shadowed version, an inline version and a double printed version you can create a lot of lovely combinations.
The Brandon Printed package also contains a set with 95 Extras like arrows, catchwords, stars, emblems numbers & lines.
Began is square and round, athletic and playful, sweet and sour. It may be just what you are looking for.
Azola Cursive is an elegant connected letter cursive script arriving with a family of detailed & artistic styles. Azola Cursive features diagonal hatched texture, outline & solid variations. Azola Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.
This new font family pairs well with the existing Azola (noncursive) family.
Arquitecta. The humanist typography as a rational project.
Since the experimentation from the Bauhaus through modern sans history we looked for a new mix to construct a rational geometric typeface with humanist proportions suitable for text layout and continuous reading.
Inspired by American & European hand lettering from the first half of the past century, Arquitecta finds his own space as a great alternative for paragraphs in front of classics like Futura, Kabel or Avant Garde.
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Anglecia Pro is an exquisite and versatile system of three transitional serif typefaces designed to work together in editorial design. Sharing the same skeleton, vertical axis, and trapezoidal uncurved serifs, each of these faces bears different key dimensions and different contrast typical for three different type epochs.
Anglecia Pro Text is a typeface designed for general typesetting in average reading sizes.
Although it features a vertical axis, its soft skeleton, relatively small x-height and prominent ascenders and descenders give the typesetting a traditional warm texture with a slight contemporary touch.
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Its large x-height and tighter letter spacing suggests larger text sizes e.g. in decorative headlines, extra large pull quotes or logos.
In roman styles the Cyrillic script comes in two flavours accessible via OpenType alternates to choose either more traditional and curvy (default) or more formal and rigid type texture.
In italics this feature affects uppercase and small caps. Also, each style is packed with OpenType features: ligatures, small caps, six sets of digits, superiors and inferiors, fractions, ordinals, and respective punctuation varieties including all-cap punctuation.
There are also language-specific alternates for Polish kreska, Romanian /, Catalan punt volat, and correct small-cap versions for Turkish/Azerbaijani i/.
Andes Rounded, designed by Daniel Hernndez, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography.
Andes is a typeface with 10 Upright weights, 10 Italics & Condensed versions, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features.
This type is well-suited for use in retail, magazines, logotypes, books, etc.
Amoebica font was created during a nasty bout of the flu. If you think it looks weird, well, I must have been hallucinating when I drew the glyphs! Amoebica is a fun, weird, unusual, happy, crazy kind of font which comes with all diacritics.
Albus is bold and friendly. It is your wizard when you're lost in communication.
Perfect for the not so serious statements, or maybe for the very serious ones? Maybe it fits on your next childrens book, or maybe on your webshop?
The Albus Friends (ornaments) includes speech bubbles, clouds and other fluffy stuff.
You can also buy the whole family for an extra friendly price.
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Say g'day to Ainslie Sans, insigne Design’s new typeface. Like its big brother, the new face incorporates a mix of influences from Oz, although Sans is pared down from the original semi-serif.
The original Ainslie was inspired by Mt. Ainslie and the city of Canberra’s inner suburb of the same name. Canberra is Australia’s capital--a planned city designed by American architect Walter Burley Griffin. Griffin’s style and geometric design for the city, which include Mt. Ainslie, are now also the same structure that make up the foundation of Ainslie Sans. More…
Adelita byAdela de Bara, Laura Meseguer / OpenType, 4 styles
Adelita has its origins from Adela de Baras hand drawings, a display typeface with balls at the end of the strokes. Helped by Laura Meseguer, this artist entered our catalogue in the nineties with four weights: three display faces and a collection of naive dingbats.
Structurally inspired by Modern font, Abula is distinctive for its two options: Original Slab Serif and Organic Slab Serif. The Latter is special for it illustrates the designer’s attempt to genetically modify the font. Beginning with the original structure, a humanist twist is incorporated into the serif adding the presence of curvy lines that shatter the solidity of the geometric form of the font. Another distinctive feature of Abula is the Ball Terminal at the upper curve of the letters such as ‘a, c, r and s.’
The results of Typesketchbook’s investigation give birth to a unique pair of the fonts, Original Slab Serif and Organic Slab Serif, that while stemming from the same structure, offer a different visual vibe and feel.
Are you getting bored by the growing number of sans-serif fonts that absolutely lack character? Do clean typography and sleek curves repulse you? Maybe its time to forget the normal and set sail into the murky waters of abnormality.
Abnormal features four styles, ranging from an almost monolinear Light to a reverse-contrast Bold. The design pays homage to 19th century poster typefaces, with their crude character and unconventional means of catching the eye. It is one of the few typefaces out there that features reversed contrast and no serifs. These properties make it an ideal choice for large headlines, posters, flyers and essentially all applications where getting attention is a paramount. More…
Abelina is a typeface that can be used in display sizes for titles where part of the central premise is to emulate certain features of gestural handwriting.
Concepts like spontaneity, speed and fluidity, associated with the use of certain calligraphic tools in this case the pointed brush led to a typographic result based on the pattern-likestructure coming from thechanceryanditaliccalligraphic models. More…
This typeface comes from a self initiated project called Spmi, which aims to contribute to keep a group of minority languages alive through solving issues in the education environment.
This re-thought edition takes the name of Aanaarand joins our library with a bigger character set and two new weights which complete the typeface providing a big typographic palette as well as adding stylistic two-story a and g for more advanced readers as well as to enable the typeface to be used in other environments. More…
family of 3 fonts from Andy Babb
Each character of Dog Eared began its life as a half-inch wide strip of paper, folded and Scotch-taped into formation, and then scanned and recreated digitally. Dog Eared is distinguished from other folded paper style typefaces by its robustness and versatility: each numeral and upper- and lowercase letter has a stylistic alternate. Dog Eared Striped is a traditional single color font, while Dog Eared Solid is a chromatic variant that can be used for a two-toned effect. Layer and multiply Dog Eared Striped and Dog Eared Solid together to achieve even more color variety.
