family of 1 font from Librito.de
The design for this typeface is based upon four sheets of an old latin book I purchased in Hanover (Germany) a couple of years ago. The letters preserve the rough edges of the original printing, I just added a few missing letters and some ligatures.
ArcticPatrol is a modern angular font influenced by military related computer games.
Examples include: Ghost Recon and Medal of Honor.
Ando is a condensed typeface family consisting of 5 weights.
Its modular design works particularly well for headlines & display use, where its soft curves & distinctive letterforms can create an instant eye-catching effect.
The fonts, provided in Opentype format, include standard ligatures, diacritics for most European languages and some Opentype features (case sensitive forms & proportional/tabular figures).
family of 2 fonts from Red Rooster Collection
An original design, loosely based on a typeface from an old wood type specimen book from the turn-of-the-century.
This is a connected script font with a trendy flair. You can add little flourishes to the beginning or end letters for a whimsical touch.
When Aldo Novarese designed his tipo inglese Juliet typeface, he had a simple objective in mind: Reduce the inclination angle of the traditional 18th and 19th centuries English script in order to make the punchcutters job easier and the resulting metal type more durable.
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Easier readability and a very friendly color were obvious side effects of the reduced angle. So soon after its release, calligraphers worldwide began emulating the angle reduction and experimenting with the application of the same concept to other calligraphic genres.
Today, more than 50 years later, many professional calligraphers point to Novareses Juliet as an opening to fresh ideas and new directions in 20th century elegant calligraphy.
Going above and beyond its duty as a revival, it was expanded by a great number of alternates, swashes, beginning and ending forms, as well as accompanying flourishes and snap-on strokes for even more ending forms.
Ambassador Script also supports almost every known Latin-based language, which makes its name all the more fitting.
The True Type and Postscript Type 1 versions come in 12 fonts, available in different piecemeal configurations or a full volume. The OpenType version collects more than 2300 characters in a single feature-rich font that can sing mightily in OpenType-supporting applications.
family of 3 fonts from URW++
Schwabacher was the predominantly used typeface in Germany from about 1470 until about 1530. It has round character forms other than Textura or Fraktur.
Robotechnica is my first ever pixel font, I was experimenting with pixel fonts for a while and Im happy with the result.
Story is amodern magazine typeface equally suitable forlarge pieces oftext, headings and everything inbetween. It includes four styles.
Body copy set init looks modest and relaxed and is highly readable, not intheleast distracting your attention fromthearticle.
This design is based upon historical cruise line posters. In the beginning of the 20th century wealthy europeans began to travel the world, following the advertising of large ship companies. This font is a revival of such a typeface.
There is a regular filled version and an outline version, too. The fonts is all caps, only.
This design is based upon historical cruise line posters. In the beginning of the 20th century wealthy europeans began to travel the world, following the advertising of large ship companies. This font is a revival of such a typeface. There is a regular filled version and an outline version, too. The fonts is all caps, only.
The Adagio Family is a part of Mateusz Machalski’s, Warsaw Academy of fine arts Master Degree Diploma in multimedia studio, conducted by Professor Stanisaw Wieczorek and his brave PHD Jakub Wrblewski.
Adagio is a modern type family. It consists of 3 main varieties: sans, serif and slab. Each one of them has it’s own true italic set. All of the styles together have over 400 characters in 9 different thicknesses.
The Adagio family was created mostly for company identities. The idea was to create a wide range of different varieties which are stylistically consistent. More…
It has the same contrast as Sans. In distinction of Adagio Serif, Slab contains strong, beamy and symmetrical serifs in the form of pillows.
Thanks to large X length, and highly stretched descenders, it also works correct in longer text, while its strong detail is good for headlines.
Slab version is a great complement for Adagio Serif and Adagio Sans.
The Adagio Family is a part of Mateusz Machalski’s, Warsaw Academy of fine arts Master Degree Diploma in multimedia studio, conducted by Professor Stanisaw Wieczorek and his brave PHD Jakub Wrblewski. Adagio is a modern type family. It consists of 3 main varieties: sans, serif and slab. Each one of them has it’s own true italic set. All of the styles together have over 400 characters in 9 different thicknesses. The Adagio family was created mostly for company identities. The idea was to create a wide range of different varieties which are stylistically consistent. More…
The Adagio Family is a part of Mateusz Machalski’s, Warsaw Academy of fine arts Master Degree Diploma in multimedia studio, conducted by Professor Stanisaw Wieczorek and his brave PHD Jakub Wrblewski.
Adagio is a modern type family. It consists of 3 main varieties: sans, serif and slab. Each one of them has it’s own true italic set. All of the styles together have over 400 characters in 9 different thicknesses.
The Adagio family was created mostly for company identities. The idea was to create a wide range of different varieties which are stylistically consistent. More…
Sharp chamfers add a strong character. Thanks to delicate contrast and proportions of capitals, this variety has features of humanist grotesque. Thanks to large x length, and highly stretched descenders, it also works correct in longer text, while its strong detail is good for headlines.
The Sans version is a great complement for Adagio Serif and Adagio Slab .
The Adagio Family is a part of Mateusz Machalski’s, Warsaw Academy of fine arts Master Degree Diploma in multimedia studio, conducted by Professor Stanisaw Wieczorek and his brave PHD Jakub Wrblewski. Adagio is a modern type family. It consists of 3 main varieties: sans, serif and slab. Each one of them has it’s own true italic set. All of the styles together have over 400 characters in 9 different thicknesses. The Adagio family was created mostly for company identities. The idea was to create a wide range of different varieties which are stylistically consistent. More…
When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut.
Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph’s skeleton from scratch for the four main subsets of the super family along with their italics.
Each glyph across the super family is ‘connected at the hip’ with each styleeach character carries the no frills, simple architecture that endeared so many users to it. More…
Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.
