Colegial Font Download
family of 2 fonts from Corradine Fonts
family of 1 font from Chank
Chank worked with Josh Eshbach, an intern from Minneapolis College of Art and Design, to create Cocaine as the Chank Font of the Month for November 2000. Inspired by Speedball type designs of the 20s and 30s, Cocaine has been redrawn and streamlined for use in the digital age. Curvy and round and relishing in its idiosyncrasies, Cocaine recalls vintage French wine posters and antique sheet music covers.
family of 10 fonts from Canada Type
By overwhelming popular demand, this is the wide display companion to Canada Type’s Clarendon Text family. It comes in ten styles: regular, medium, bold, with small caps and oldstyle Figures counterparts, as well as stencil and sketch versions of the regular and the bold. All the fonts come equipped with superscripts/numerators, denominators, and scientific inferiors. The OpenType fonts also contain automatic fractions and class-based kerning.
Cintra font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a sans serif, bold, geometric typeface with subtle rounded angles that provides a soft, pleasent appearence.
Cintra consists of 4 styles.
Cintra font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a sans serif, bold, geometric typeface with subtle rounded angles that provides a soft, pleasent appearence.
Cintra consists of 4 styles.
Churchward Tua and Churchward Tua Italic are two more OpenType font releases by Bluhead Studio from the exciting and unique library of Joseph Churchward type designs. The Tua fonts sport an Old West, cattle drive sort of look.
One can imagine Tua being used on the swinging front doors of the local saloon or jailhouse. These fonts are perfect for headlines, posters or wherever you want to express your inner cowboy.
Giddy-up!
Churchward Tua and Churchward Tua Italic are two more OpenType font releases by Bluhead Studio from the exciting and unique library of Joseph Churchward type designs. The Tua fonts sport an Old West, cattle drive sort of look. One can imagine Tua being used on the swinging front doors of the local saloon or jailhouse. These fonts are perfect for headlines, posters or wherever you want to express your inner cowboy. Giddy-up!
Chimp hand is organic, natural and contemporary handwritten typeface with their tall x-height. Weight of light, regular and bold for both normal width and condensed allow you to play with the typeface more.
In addition, you will have access to their style sets ( Gap ) to add stencil ish character to every weights. This gap style is much more subtle than normal stencils, but unique and nicely fits to the typeface.
Gaps are more visible on larger font and bolder weight.
Chimp hand is good for any purpose, but works more on shorter text.
Thanks and enjoy!
Chimp hand is organic, natural and contemporary handwritten typeface with their tall x-height. Weight of light, regular and bold for both normal width and condensed allow you to play with the typeface more.
In addition, you will have access to their style sets ( Gap ) to add stencil ish character to every weights. This gap style is much more subtle than normal stencils, but unique and nicely fits to the typeface. Gaps are more visible on larger font and bolder weight.
Chimp hand is good for any purpose, but works more on shorter text.
Thanks and enjoy!
Released by Linotype in 1965, this design by Matthew Carter is based on an earlier type by the Ludlow foundry. Cascade Script is a dark, disconnected script with angular forms. The bold letters have a blatant heavy-marker look, which makes Cascade Script ideal for informal posters and signage.
family of 1 font from Solotype
We've always liked Art Gothic (you've seen it on the titles and credits for TV’s Murder She Wrote) but felt it was far too animated for most uses.
family of 1 font from Kraken
Bollard is a smooth and cuddly font, with the ability to make any title look instantaneously fun and fresh.
Bodoni Classic Swing is another of my decorative additions to Bodonis family of typefaces.
Bodoni did not design decorative versions. His quest was for purity in book design. He was purely as a printer who had to cut his own fonts because there simply weren't any foundries in those days.
I think if Giambattista were alive today he would design many decorative typefaces.
Yours molto classico, Gert Wiescher
Conceptualized by Dalton Maag font developer, Spike Spondike, Blenny is a true individual, with elegant hairlines and exaggerated ball terminals. Soft, voluptuous curves and a retro feel make it suitable for branding, bold headlines, or product labels.
Blenny comes in one weight and supports two script systems, Latin and Thai.
Inspiration comes from everywhere and Spikes early sketches for Blenny played with a vintage, seafaring theme inspired by visits to the beach at St Leonards on the South Coast of England.
Other influences included the retro typefaces used on old electronics equipment and gin bottles. More…
It was Spikes previous experience of working with Thai, and a trip to Bangkok, which prompted her to connect the diversity of shapes in the Thai script with the design of Blenny.
Spike relished the challenge of creating the Thai glyphs whilst maintaining the key features of Blennys design. Creative decisions on the Thai in turn led back to refinements to the original Latin.
For Spike, the end result is visually very pleasing.
Individual glyphs such as the a seem to wrap around themselves in a hug.
Bruno Maag, Chairman of Dalton Maag loved the design from the minute he laid eyes on it.
Im considering having a tattoo done with it.
In honor of their new font, Dalton Maag has created the Blenny gin cocktail. Just like the font its named after, a Blenny is bold, punchy and has a touch of class.
Conceptualized by Dalton Maag font developer, Spike Spondike, Blenny is a true individual, with elegant hairlines and exaggerated ball terminals. Soft, voluptuous curves and a retro feel make it suitable for branding, bold headlines, or product labels. Blenny comes in one weight and supports two script systems, Latin and Thai.
Inspiration comes from everywhere and Spikes early sketches for Blenny played with a vintage, seafaring theme inspired by visits to the beach at St Leonards on the South Coast of England. Other influences included the retro typefaces used on old electronics equipment and gin bottles. More…
It was Spikes previous experience of working with Thai, and a trip to Bangkok, which prompted her to connect the diversity of shapes in the Thai script with the design of Blenny. Spike relished the challenge of creating the Thai glyphs whilst maintaining the key features of Blennys design. Creative decisions on the Thai in turn led back to refinements to the original Latin.
For Spike, the end result is visually very pleasing. Individual glyphs such as the a seem to wrap around themselves in a hug.
Bruno Maag, Chairman of Dalton Maag loved the design from the minute he laid eyes on it. Im considering having a tattoo done with it.
In honor of their new font, Dalton Maag has created the Blenny gin cocktail. Just like the font its named after, a Blenny is bold, punchy and has a touch of class.
family of 1 font from Nick's Fonts
Deutsch Black, designed by Barry Deutsch for VGC in 1966, provided the inspiration for this extrabold exercise in heavy ink coverage. A number of variants, in lowercase slots, were added to offer flexibility to your headline designs. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.
The typeface was designed at ParaType (ParaGraph) in 1993 (by Tatiana Lyskova). Based on Bernhard Condensed typeface of the Bauer company, 1912 by Lucian Bernhard). For use in advertising and display typography.
Belleville FY is an original 16 retro and modern fonts family, inspired at the same time by New art mouvement, graffitis, 19th century wood type, and modern slab fonts.
Each style has specific shapes and serifs which give it a special look, depending of the mood you choose.
Because each of them is based on the same structure, you can easily mix them to create unique sets, offering you endless possibilities.
Belleville is well suited for logos, headlines, packaging, posters, signage and every project you want.
Belleville FY was created by Benjamin Lieb & Gia Tran on co-create.fontyou.com, the first collaborative type foundry.
More…
4 styles - 4 weights = 16 fonts!
Belleville FY is definitly the new font in town.
Pimp your designs with the Opentype features or in the glyphs panel
- Alternates & Swashes
Each font contains lot of beautiful alternates and swashes so you can create unique letterings, headlines and compositions.
- Catchwords
Youll find 37 catchwords in each 16 fonts. We declined them in 4 languages (english, french, german and spanish) so everbody can have fun.
Belleville7h The Decorative one
Ligatures : 26
Discretionary ligatures : 3
Stylistics alternates : 14
Swashes : 40
Catchwords : 37
Belleville13h Industrial mood
Ligatures : 26
Discretionary ligatures : 3
Stylistics alternates : 14
Swashes : 40
Catchwords : 37
Belleville19h Urban look
Ligatures : 26
Discretionary ligatures : 3
Stylistics alternates : 14
Swashes : 40
Catchwords : 37
Belleville23h Flourish style
Ligatures : 18
Discretionary ligatures : 3
Stylistics alternates : 14
Swashes : 40
Catchwords : 37
Belleville FY is an original 16 retro and modern fonts family, inspired at the same time by New art mouvement, graffitis, 19th century wood type, and modern slab fonts.
Each style has specific shapes and serifs which give it a special look, depending of the mood you choose. Because each of them is based on the same structure, you can easily mix them to create unique sets, offering you endless possibilities.
Belleville is well suited for logos, headlines, packaging, posters, signage and every project you want.
Belleville FY was created by Benjamin Lieb & Gia Tran on co-create.fontyou.com, the first collaborative type foundry. More…
4 styles - 4 weights = 16 fonts!
Belleville FY is definitly the new font in town.
Pimp your designs with the Opentype features or in the glyphs panel
- Alternates & Swashes
Each font contains lot of beautiful alternates and swashes so you can create unique letterings, headlines and compositions.
- Catchwords
Youll find 37 catchwords in each 16 fonts. We declined them in 4 languages (english, french, german and spanish) so everbody can have fun.
Belleville7h The Decorative one
Ligatures : 26
Discretionary ligatures : 3
Stylistics alternates : 14
Swashes : 40
Catchwords : 37
Belleville13h Industrial mood
Ligatures : 26
Discretionary ligatures : 3
Stylistics alternates : 14
Swashes : 40
Catchwords : 37
Belleville19h Urban look
Ligatures : 26
Discretionary ligatures : 3
Stylistics alternates : 14
Swashes : 40
Catchwords : 37
Belleville23h Flourish style
Ligatures : 18
Discretionary ligatures : 3
Stylistics alternates : 14
Swashes : 40
Catchwords : 37
BD Qualle is a bold, chubby, and friendly fellow great for titling and shorter headlines.
BD Qualle is a bold, chubby, and friendly fellow great for titling and shorter headlines.
Baskerville Caps is a single font with two sets of large initial caps, the uppercase keys displaying a classical outline and the lowercase a floriate style. Both sets include the characters , , , , , , , , and the OE ligature.
Avesta ExtraBoldCondensed is designed by Naghi Naghashian.
This Headline Font is developed on the basis of specific research and analysis on Arabic characters and definition of their structure.
This innovation is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility. This step was necessary after more than two hundred years of relative stagnation in Arabic font design.
Avesta supports Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages. More…
Avesta Font is available in ExtraBoldCondensed.
This font is designed to be used as advertising and newspaper headlines. Avesta design fulfills the following needs:
A Explicitly crafted for use in electronic media fulfills the demands of electronic communication.
Avesta is not based on any pre-digital typefaces. It is not a revival. Rather, its forms were created with todays technology in mind.
B Suitability for multiple applications.
Gives the widest potential acceptability.
C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator.
Avesta’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text.
D An attractive typographic image.
Avesta was developed for multiple languages and writing conventions.
E The highest degree of geometric clarity and the necessary amount of calligraphic references.
This typeface offers a fine balance between calligraphic tradition and the contemporary sans serif aesthetic now common in Latin typography.