Brandon Printed is based on the famous Brandon Grotesque typeface. It has an eroded, printed look with four variations of every letter. With several different styles like a shadowed version, an inline version and a double printed version you can create a lot of lovely combinations.
The Brandon Printed package also contains a set with 95 Extras like arrows, catchwords, stars, emblems numbers & lines.
Began is square and round, athletic and playful, sweet and sour. It may be just what you are looking for.
Azola Cursive is an elegant connected letter cursive script arriving with a family of detailed & artistic styles. Azola Cursive features diagonal hatched texture, outline & solid variations. Azola Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.
This new font family pairs well with the existing Azola (noncursive) family.
Arquitecta. The humanist typography as a rational project.
Since the experimentation from the Bauhaus through modern sans history we looked for a new mix to construct a rational geometric typeface with humanist proportions suitable for text layout and continuous reading.
Inspired by American & European hand lettering from the first half of the past century, Arquitecta finds his own space as a great alternative for paragraphs in front of classics like Futura, Kabel or Avant Garde.
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Anglecia Pro is an exquisite and versatile system of three transitional serif typefaces designed to work together in editorial design. Sharing the same skeleton, vertical axis, and trapezoidal uncurved serifs, each of these faces bears different key dimensions and different contrast typical for three different type epochs.
Anglecia Pro Text is a typeface designed for general typesetting in average reading sizes.
Although it features a vertical axis, its soft skeleton, relatively small x-height and prominent ascenders and descenders give the typesetting a traditional warm texture with a slight contemporary touch.
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Its large x-height and tighter letter spacing suggests larger text sizes e.g. in decorative headlines, extra large pull quotes or logos.
In roman styles the Cyrillic script comes in two flavours accessible via OpenType alternates to choose either more traditional and curvy (default) or more formal and rigid type texture.
In italics this feature affects uppercase and small caps. Also, each style is packed with OpenType features: ligatures, small caps, six sets of digits, superiors and inferiors, fractions, ordinals, and respective punctuation varieties including all-cap punctuation.
There are also language-specific alternates for Polish kreska, Romanian /, Catalan punt volat, and correct small-cap versions for Turkish/Azerbaijani i/.
Andes Rounded, designed by Daniel Hernndez, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography.
Andes is a typeface with 10 Upright weights, 10 Italics & Condensed versions, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features.
This type is well-suited for use in retail, magazines, logotypes, books, etc.
Amoebica font was created during a nasty bout of the flu. If you think it looks weird, well, I must have been hallucinating when I drew the glyphs! Amoebica is a fun, weird, unusual, happy, crazy kind of font which comes with all diacritics.
Albus is bold and friendly. It is your wizard when you're lost in communication.
Perfect for the not so serious statements, or maybe for the very serious ones? Maybe it fits on your next childrens book, or maybe on your webshop?
The Albus Friends (ornaments) includes speech bubbles, clouds and other fluffy stuff.
You can also buy the whole family for an extra friendly price.
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Say g'day to Ainslie Sans, insigne Design’s new typeface. Like its big brother, the new face incorporates a mix of influences from Oz, although Sans is pared down from the original semi-serif.
The original Ainslie was inspired by Mt. Ainslie and the city of Canberra’s inner suburb of the same name. Canberra is Australia’s capital--a planned city designed by American architect Walter Burley Griffin. Griffin’s style and geometric design for the city, which include Mt. Ainslie, are now also the same structure that make up the foundation of Ainslie Sans. More…
Adelita byAdela de Bara, Laura Meseguer / OpenType, 4 styles
Adelita has its origins from Adela de Baras hand drawings, a display typeface with balls at the end of the strokes. Helped by Laura Meseguer, this artist entered our catalogue in the nineties with four weights: three display faces and a collection of naive dingbats.
Structurally inspired by Modern font, Abula is distinctive for its two options: Original Slab Serif and Organic Slab Serif. The Latter is special for it illustrates the designer’s attempt to genetically modify the font. Beginning with the original structure, a humanist twist is incorporated into the serif adding the presence of curvy lines that shatter the solidity of the geometric form of the font. Another distinctive feature of Abula is the Ball Terminal at the upper curve of the letters such as ‘a, c, r and s.’
The results of Typesketchbook’s investigation give birth to a unique pair of the fonts, Original Slab Serif and Organic Slab Serif, that while stemming from the same structure, offer a different visual vibe and feel.
Are you getting bored by the growing number of sans-serif fonts that absolutely lack character? Do clean typography and sleek curves repulse you? Maybe its time to forget the normal and set sail into the murky waters of abnormality.
Abnormal features four styles, ranging from an almost monolinear Light to a reverse-contrast Bold. The design pays homage to 19th century poster typefaces, with their crude character and unconventional means of catching the eye. It is one of the few typefaces out there that features reversed contrast and no serifs. These properties make it an ideal choice for large headlines, posters, flyers and essentially all applications where getting attention is a paramount. More…
Abelina is a typeface that can be used in display sizes for titles where part of the central premise is to emulate certain features of gestural handwriting.
Concepts like spontaneity, speed and fluidity, associated with the use of certain calligraphic tools in this case the pointed brush led to a typographic result based on the pattern-likestructure coming from thechanceryanditaliccalligraphic models. More…
This typeface comes from a self initiated project called Spmi, which aims to contribute to keep a group of minority languages alive through solving issues in the education environment.
This re-thought edition takes the name of Aanaarand joins our library with a bigger character set and two new weights which complete the typeface providing a big typographic palette as well as adding stylistic two-story a and g for more advanced readers as well as to enable the typeface to be used in other environments. More…
family of 3 fonts from Andy Babb
Each character of Dog Eared began its life as a half-inch wide strip of paper, folded and Scotch-taped into formation, and then scanned and recreated digitally. Dog Eared is distinguished from other folded paper style typefaces by its robustness and versatility: each numeral and upper- and lowercase letter has a stylistic alternate. Dog Eared Striped is a traditional single color font, while Dog Eared Solid is a chromatic variant that can be used for a two-toned effect. Layer and multiply Dog Eared Striped and Dog Eared Solid together to achieve even more color variety.
family of 1 font from Breauhare
Dime Store is a font inspired by childhood memories of dime stores in downtowns and shopping malls in the 1970s.
family of 1 font from Blue Vinyl Fonts
Delorita BV is a beautiful and fun quill pen font! Think: Frida Kahlo, flamenco dancers, gypsy fortune tellers, dried roses and homespun chic.
family of 1 font from Scholtz Fonts
Delikat is a graceful, finely crafted, slinky, slightly retro, somewhat quirky script font. Perfect for advertising material, clothing tags, restaurant and cafe menus, food labels, music videos, magazine pages, cosmetic branding and so many other uses we lose count!
Inspired by aurora, one of the most impressive phenomenon.
Dawnora is a spirited serif font comes with various weights and many opentype features,
suitable for both simple text and elegant lettering.
Especially, Initials style for drop cap and special usage.
Inspired by aurora, one of the most impressive phenomenon.
Dawnora is a spirited serif font comes with various weights and many opentype features,
suitable for both simple text and elegant lettering. Especially, Initials style for drop cap and special usage.
Developed at ParaType in 1995 by Alexander Tarbeev, based on Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.
family of 1 font from Solotype
This is based on a mid-Victorian Connor’s foundry font originally known as Manhattan.
Compass St a new addition to the existing Compass TRF Stencil fonts, originally released in 2010. Package consists of two fonts with rather different, both decorative, styles.
Typeface is released in OpenType format with extended support for most Latin languages.
Compass St a new addition to the existing Compass TRF Stencil fonts, originally released in 2010. Package consists of two fonts with rather different, both decorative, styles.
Typeface is released in OpenType format with extended support for most Latin languages.
Compass Next is a third edition of Compass TRF designed in 2002. The first time Compass TRF has been conceived was as a geometric Didone all letters literally were drawn with a ruler and a compass.
Second edition (2009)got additional styles Flourish Initials and Small Caps. This time, the objective was to bring overall extreme geometrical expression closer to traditional letterform style of its modern style typeface category (Didone).
All glyphs were redrawn including in alternative Decorative style, and additional Bold weight has been added.
Typeface is released in OpenType format with extended support for most Latin languages.
Compass Next is a third edition of Compass TRF designed in 2002. The first time Compass TRF has been conceived was as a geometric Didone all letters literally were drawn with a ruler and a compass. Second edition (2009)got additional styles Flourish Initials and Small Caps. This time, the objective was to bring overall extreme geometrical expression closer to traditional letterform style of its modern style typeface category (Didone). All glyphs were redrawn including in alternative Decorative style, and additional Bold weight has been added.
Typeface is released in OpenType format with extended support for most Latin languages.
