With a strong basis in tradition and ancient iconography, the Adinkra Pro family brings a fresh perspective to the time-honored symbols of West Africa.
Not only is the Pro family a brand new Adinkra symbol font, but it is a comprehensive typeface family with adjustments to all 66 original symbols. The addition of patterns for backgrounds and borders as well as the programming power of OpenType gives you limitless design options at the click of a mouse. More…
With a strong basis in tradition and ancient iconography, the Adinkra Pro family brings a fresh perspective to the time-honored symbols of West Africa.
Not only is the Pro family a brand new Adinkra symbol font, but it is a comprehensive typeface family with adjustments to all 66 original symbols. The addition of patterns for backgrounds and borders as well as the programming power of OpenType gives you limitless design options at the click of a mouse. More…
AdieuTwo is a radical revision of Adieu which was a revision of my original font, Chivalry, that was traced from Chevalier back in the mid-1990s.
Its roots are obvious, but this one has small caps, small cap figures, oldstyle figures, ligatures, and more. This is a thoroughly up-to-date font ready to be used for stylish heads.
family of 12 fonts from K-Type
ADEQUATE is a basic geometric sans serif typeface comprising 6 weights plus a free italic with each. The family has modern, workaday letterforms with a tall x-height for clarity and legibility. Adequate does the job; it doesn't claim to be beautiful and lacks the fashionable mannerisms of many contemporary faces, but there is something timeless, perhaps elegant, about its mathematical simplicity.
family of 12 fonts from K-Type
ADEQUATE is a basic geometric sans serif typeface comprising 6 weights plus a free italic with each. The family has modern, workaday letterforms with a tall x-height for clarity and legibility. Adequate does the job; it doesn't claim to be beautiful and lacks the fashionable mannerisms of many contemporary faces, but there is something timeless, perhaps elegant, about its mathematical simplicity.
This sans serif counterpart to the award-winning Adelle type family proposes a cleaner and more spirited take on the traditional grotesque sans. As typical with TypeTogether fonts, the most demanding editorial design pieces were taken into consideration when engineering Adelle Sans. The combination of its lively character and unobstrusive appearance that is inherent to grotesque sans serifs make it an utterly versatile tool for any imaginable graphic application, whether it is branding, signage or advertising. Without any doubt, the key word behind Adelle Sans' design is flexibility. More…
While Adelle is a slab serif typeface conceived specifically for intensive editorial use, mainly in newspapers and magazines, its personality and flexibility make it a real multiple-purpose typeface.
The intermediate weights deliver a very legible and neutral look when used in text sizes, providing the usual robustness expected in a newspaper font. The unobstrusive appearance, excellent texture and slightly dark color allow it to behave flawlesly in continuous text setting, even in the most demanding editorial applications. More…
While Adelle is a slab serif typeface conceived specifically for intensive editorial use, mainly in newspapers and magazines, its personality and flexibility make it a real multiple-purpose typeface.
The intermediate weights deliver a very legible and neutral look when used in text sizes, providing the usual robustness expected in a newspaper font. The unobstrusive appearance, excellent texture and slightly dark color allow it to behave flawlesly in continuous text setting, even in the most demanding editorial applications. More…
Looking for sharp-looking characters in ferocious action? Then look no further than this font, originally designed by Senior Comicraftsman John Roshell for GHOST RIDER 2099.
Adamantium has also been featured in WOLVERINE and THE UNCANNY X-MEN.
Adam Serif is a sturdy typeface balancing a classic text image with a contemporary design. Strong serifs and a low contrast make the typeface ideal for small sizes, while original details express more character in bigger sizes. The Black and Thin weights are specially intended for display and headlines. Originally designed for book printing, over the years several magazines, publications and newspapers have chosen Adam Serif. The typeface is inspired by circular movements, reflected in rotated contrast, rotating inkdrops and other round shapes.
Adam Serif comes in 4 weights with italics and a full character set for
western and east-european languages, as well as a number of OpenType
features.
family of 3 fonts from Comicraft
Joe Kubert’s son Adam has a story or two to tell as well; the AdamKubert font, based on Adam’s own pen lettering in BATMAN/PREDATOR, was created by Comicraft for Marvel’s ULTIMATE X-MEN series.
family of 3 fonts from Comicraft
Joe Kubert’s son Adam has a story or two to tell as well; the AdamKubert font, based on Adam’s own pen lettering in BATMAN/PREDATOR, was created by Comicraft for Marvel’s ULTIMATE X-MEN series.
Roman Sehrer, a seasoned German advertising professional, digitized his handwriting to create this family of three fonts.
Sehrer recommends this family for posters, logos, and restaurant menus.
It works well with traditional sans serifs such as Helvetica or Univers.
Roman Sehrer, a seasoned German advertising professional, digitized his handwriting to create this family of three fonts.
Sehrer recommends this family for posters, logos, and restaurant menus.
It works well with traditional sans serifs such as Helvetica or Univers.
Franko Luin was born in 1941 in Italy but moved to Sweden where he studied graphic design and printing technologies at Grafiska Institutet in Stockholm. After 20 years with the telecom company Ericsson’s advertising department, in 1989 he started his own design studio, Omnibus Typografi.
Besides designing typefaces he had a keen interest in languages, and particularly the international language Esperanto. More…
But not totally free, since I must keep track of the character shapes in use since the Rennaissance - and that while I am trying to create something new. It isn't easy. Typeface designers have been working for 500 years with the same basic shapes and with the same aim.
When I see the result of my work and compare it with what other designers have achieved, I am inclined to agree with F.W. Goudy that 'the elders have stolen our best ideas. Ad Hoc is a fake.
My intention was to design a typeface with the looks of the characters drawn on paper with a marker pen. But they are all drawn on a monitor, with no scanner ever involved. That’s the reason why they look so regular."
Acuta is a new all-purpose text serif with a good readability and a contemporary, robust look thanks to its low-medium contrast. The differences between thicks and thins are less strongly marked than in oldstyle text faces; yet the diagonal stress needed to facilitate reading is partly provided by the letter shape itself: sharp angles and italic construction give the right dynamism to the text.
Acuta becomes very distinctive as a headline, while its big x-height makes it suitable for texts at rather small sizes too. More…
Acuta is a new all-purpose text serif with a good readability and a contemporary, robust look thanks to its low-medium contrast. The differences between thicks and thins are less strongly marked than in oldstyle text faces; yet the diagonal stress needed to facilitate reading is partly provided by the letter shape itself: sharp angles and italic construction give the right dynamism to the text.
Acuta becomes very distinctive as a headline, while its big x-height makes it suitable for texts at rather small sizes too. More…
Acstica is a display font family designed by Carlos Fabian Camargo G. Its styles were designed to form words and phrases related to delicate and feminine contexts. Acstica Caps, Italic, Swashes and Ornaments are drawn investigations with flexible tip pen inspired by Didot capitals.
All ideal for mixing with Acstica Script whose idea represents the volatile sound of a fine tip brush against rapid tracing paper. Its script path in width condensed lowercase and uppercase letters in loose horizontal proportions are generous between letters laced with long, agile and thin connecting strokes. Its script sensitivity is in Italian calligraphy with uninterrupted lines of cursive English. More…
family of 22 fonts from DSType
Acto is a type system designed as the sans serif counterpart of the previous released Acta. Both type families were designed in 2010 for the redesign of the chilean newspaper La Tercera, but unlike some of our previous fonts (i.e.: Leitura) Acto doesn't exactly match Acta in terms of structure, so they can live on their own. Acto is our first sans where the uppercase has the same height as the ascenders, so we decided to avoid common problems like the confusion between the I and the l, by drawing a curved l and we kept that spirit by removing the spurs on the b, g and q, resulting on a more warm typeface than Prelo, for instance. At the end is a very powerful sans family, with eleven weights with matching italics, for editorial and corporate design.
family of 22 fonts from DSType
Acto is a type system designed as the sans serif counterpart of the previous released Acta. Both type families were designed in 2010 for the redesign of the chilean newspaper La Tercera, but unlike some of our previous fonts (i.e.: Leitura) Acto doesn't exactly match Acta in terms of structure, so they can live on their own. Acto is our first sans where the uppercase has the same height as the ascenders, so we decided to avoid common problems like the confusion between the I and the l, by drawing a curved l and we kept that spirit by removing the spurs on the b, g and q, resulting on a more warm typeface than Prelo, for instance. At the end is a very powerful sans family, with eleven weights with matching italics, for editorial and corporate design.
family of 2 fonts from Gaslight
Actio is unicase serif typeface with spurs on lowercase characters. Actio slightly inspired by Bodoni style fonts. Actio have numerous alternatives, some decorative elements and 4 Stylistic Sets for characters decorative elements.
family of 2 fonts from Gaslight
Actio is unicase serif typeface with spurs on lowercase characters. Actio slightly inspired by Bodoni style fonts. Actio have numerous alternatives, some decorative elements and 4 Stylistic Sets for characters decorative elements.
family of 3 fonts from DSType
First designed for chilean newspaper La Tercera in 2010, Acta family is a clean and fresh type system, while enough conservative for newspaper setting. The complete Acta Type System contains Acta and Acta Display both with six weights with matching italics; Acta Symbols with an amazing collection of symbols specially designed for newspapers and magazines and Acta Poster, a heavyweight version, elegant and eye catching in three styles with plenty of ligatures and alternates.
family of 3 fonts from DSType
First designed for chilean newspaper La Tercera in 2010, Acta family is a clean and fresh type system, while enough conservative for newspaper setting. The complete Acta Type System contains Acta and Acta Display both with six weights with matching italics; Acta Symbols with an amazing collection of symbols specially designed for newspapers and magazines and Acta Poster, a heavyweight version, elegant and eye catching in three styles with plenty of ligatures and alternates.
family of 4 fonts from Identikal Collection
Acrom is a geometric sans serif typeface with a minimal stroke contrast. It was designedwitha modern, contemporary context in mind. Acrom is not merely mechanical, it can also be recognised as a natural typeface with subtle geometric aesthetics.
The humanist quality ofthe font aid’s legibility across both text and display work. Acroms main characteristics lieinthe injection of stylistic forms which enhance it’s individuality without overpowering thefonts functional purpose and integrity.
The font can be tamed utilising the set of alternative characters available within the typeface. Details include 500 characters, manually edited kerning and Opentype features.
