Streamwood JNL is an outline sans wood type re-drawn from vintage source material. The design bears strong resemblance to Woodlawn JNL; but is a bit narrower and has a much different set of numbers as well as a more stylized letter “Q”.
The lettering for Stencil Box JNL was found on the packaging of a children’s toy stencil set circa the 1940s. Popular for years, Pencil Stencils were a series of “connect the line” stencils where a series of dashed lines were traced from the cutouts and the lines connected to complete pictures of animals or other subjects.
Although the packaging itself was often updated to reflect the current times during the life of the product, it was this hand-lettered example of stencil-meets-Art Deco from the 40s that proved worthy of saving as a digital typeface.
Statendam is an all caps Art Deco font. It reminds me of the bold lettering used for cruise ship posters from the interbellum, especially those used for the Holland America Line (HAL) ads. It is not a recreation of a particular typeface; merely my salute to a bygone era. Statendam comes with all diacritics.
The Srostky font is willful and stubborn. It is rude, but it is as natural as a country boy. The characters of this font were inspired by an image of the Russian countryside. The letters look as if they were felled with an ax.
It is named after the village in Altai region. This font is suitable for short sayings and titles.
SPOTLIGHT is an opulent typeface, with rebellious sharp lines resembling rays of light. Tilted glyphs create an illusion of motion, however several glyphs are vertical, precisely matching the tilted ones.
This is an exclusive typeface, designed to be used in titles and headlines at a large size.
2014 Government Studios.
All Rights Reserved.
Spiral is a digital transcription of a design by Joseph Blumenthal (1897-1990) which was hand-cut by Louis Hoell and cast by the Bauer foundry in 1930. The design with an italic added was later cut for Monotype and issued in 1936 as Emerson 320.
Sperling FY is a geometric and condensed high contrast font, characterized by its long vertical serifs. Its big i-dot as well as some other deliberately naive disproportions like the W are wonderful signs to identify Sperling FY.
The accompanying italic style illustrates well designed creative forms like the k or the z.
Due to its good legibility in small size, you can use it for editorial texts like in magazines.
You can also take great pleasure by using it in poster size.
Sperling FY comes out in roman and italic, each style from Regular to Black.
Sperling FY was co-created by Jan Dominik Gillich & Alisa Nowak on co-create.fontyou.com, the first collaborative type foundry.
Sonovovitch is a unicase display typeface inspired by the Russian Constructivist movement and Soviet Cold War era propaganda. Although a faux Russian font, Sonovovitch has language support for the true Cyrillic alphabet.
Originally intended as an exercise in downsizing the typical fonts character set, Sonovovitch quickly expanded in the opposite direction, adding multiple variations for letterforms and utilizing Open Type features allowing for easy substitution of glyphs creating plenty of variety for letter combinations.
Open Type Titling Alternates even substitute completely foreign glyphs, never seen before in any language, allowing for totally alien typesetting. The results found in Sonovovitch are packed with bold character and eastern European influenced flair.
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Sofia Soft is the rounded version of the successful Sofia Pro family. This softer variation with rounded strokes gives Sofia Soft a unique geometric sans friendly aspect for display uses, texts and headlines, branding, signage, print and web design projects.
Sofia Soft is the ideal companion of Sofia Pro and improve versatility of the global font family with optimized spacing and kerning for print and display. Sofia Soft supports extensive languages such as Western European, Central and Eastern European languages.
Available in 8 versatile styles, all weights contain the same Opentype features than his sister with case sensitive forms, stylistic alternates, localized forms, standard ligatures, lining and oldstyle figures.
Simplicity JNL is a lightface monoline sans design for titling and short text that is clean and effective without being bland.
Available in both regular and oblique versions.
A brass hand-punched shipping stencil from the 1950s inspired Simple Stencil JNL. The rounded ends of the characters are reminiscent of technical lettering templates, especially since there are a combination of solid letters and those with stencil “breaks” as many of those pen and ink templates possessed.
Designed and built in London by TypeUnion, Silo Slab is a fluid slab serif typeface embodying energetic curves and a clean, functional structure.
The Silo Slab Family is made up of 6 weights, which range from a delicate Extra-Light, all the way through to a punchy, loud Extra-bold and each carry a versatility for multiple applications and uses. Each weight has a matching italic.
Silo Slab features open type alternate characters, and extensive language support to provide a flexible, substantial user experience.
Designed and built in London by TypeUnion, Silo is a fluid sans serif typeface embodying energetic curves and a clean, functional structure.
The Silo Family is made up of 6 weights, which range from a delicate Extra-Light, all the way through to a punchy, loud Extra-bold and each carry a versatility for multiple applications and uses.
Silo features open type alternate characters, and extensive language support to provide a flexible, substantial user experience.
Showcase, the new typeface of Daniel Hernandez and Paula Nazal is a handmade font consisting of a set of types that are composed of four styles, one script, one sans, a slab, sans mini and finally a set of ornaments and dingbats, all made to work together in the same language.
It’s inspired by a pen that writes different typefaces and ornaments, and casually reaches into a harmonious family.
Showcase is very easy to use and allows great versatility, can be used both in a magazine as a restaurant, through windows, cafes, and really anyway you can think of!
Shipibo is a new typeface by Thalia Echevarria, released in March 2014.
Shipibo is perfect for display! It is inspired by the aesthetics of the ethnic population of the Peruvian Amazonian that live near the rivers in Ucayali.
Their aesthetic represent the spiritual, physical and cultural relationship between the Amazonian population and the spirit of the jungle. Their belief is that the stars travel through the sky in canoes, giving a romantic view of these people, whom represent on their black canvas, a starry sky.
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Conrad X. ‘Cobb’ Shinn (Sept. 4, 1887- Jan. 28, 1951) was a Fillmore, Indiana-born post card illustrator who sold a series of successful novelty postcard lines which included (among others) Charlie Chaplin, automobiles and the Dutch culture in the beginning years of the 20th Century.
After serving in World War I, Shinn found the market for novelty postcards dwindling, and he also lent his artistic skills to cartoon features and illustrating many children’s books [including his own, under the nickname ‘Uncle Cobb’] which taught easy step-by-step drawing methods. More…
If you like a rough-hewn, rugged and vintage typeface, then Shadowlawn JNL will certainly please you. Re-drawn from vintage examples of a hand-cut wood type, the rustic charm of this typeface brings a reminiscence of Old West themes.
Shadowland JNL is a simple titling font with a limited character set. Comprised of just A-Z with basic punctuation, the design is based on a set of wood type of a more modern era. The outer lines are crisp and sharp, while the interior letters have rounded ends.
Sergio FY is characterized by its large, sharp, and triangular serifs, which give it a very singular look. With its complete character set including small caps, oldstyle figures and discretionary ligatures (amongst others), Sergio FY comes with 3 weights and italics, as well as an amazing set of ornaments.
Its large width, its short ascendants and descendants allow it to perfectly fit in small size. It will also show all its originality in big sizes for headlines or posters (absolutely fabulous in its black version).
Both robust and elegant, spiky and friendly, oldschool and contemporary Sergio FY is for sure the next celebritype!
Sergio FY was co-created by Julia Joffre & the Fontyou Team on co-create.fontyou.com, the first collaborative type foundry.
Scoreboard JNL emulates illuminated scoreboards and is based on an alphabet found in an old clip art book of sports-themed alphabets.
Science White is the version of Science Noire without the spider web. Available in 3 weights + Italic. Made to match with Science Noire. Easy to use for your artworks and your common works. Science White is available in single weights or in a full package with a special price.
Last but not least we launch a special Sciences pack with all Science fonts (White all weights and Noire).
Our Saya FY FY family is growing with its new SemiSans version. Like the name already indicates, Saya SemiSans is more contrasted but still keeps its lightly condensed letterforms as well as its beatiful harmonized calligraphic details.
As fresh and elegant as its big sister, Saya SemiSans is the perfect choice for text and display use.
Saya SemiSans FY comes out with 6 weights from light to black in roman and italic.
Saya was co-created by Adrien Midzic, Alisa Nowak & Jrmie Hornus on fontyou.com, the first collaborative type foundry.
After its period of exclusivity expired, the corporate typeface of the Saubermacher recycling company was revised and expanded. Now it is available for everyone! Whether on fresh buttermilk, a Honolulu surfer bar, or a hotel on the Arlberg, this preppy script face is versatile and full of character.
Sarine is a sans-serif typeface inspired by signage for traffic. It’s a constructed family designed for technical application. The Sarine family includes 7 weights, from Hairline to Black, with their corresponding italics.
Each font includes OpenType Features such as Stylistic Alternates, Proportional Figure, Tabular Figures, Numerator, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, Ligatures and Fractions.
Named for the island that I've had the pleasure of calling home for over a year now, Samui Script is a lovingly made, hand-lettering-style, script font, with a bouncy baseline and exuberant character.
Taking mid 20th century commercial lettering as its inspiration, it is no revival, or pale imitation of past forms. This font can be as contemporary as you need it to be, or as retro, or somewhere inbetween.
A wealth of sophisticated OpenType features lie beneath the bouncy exterior, making for a versatile script font that performs well at headline sizes, but is also legible enough to set small amounts of copy.
See the user guide in the gallery section for a comprehensive overview of features, and see if you can resist the urge to have your own personal sign-writer living inside your computer.
Rusulica Script is elegant, stable and very practical. It is carefully drawn to indicate writing logic while serving modern ideas and needs. Because of its decorative and playful design it offers plenty of possibilities as a stand alone display font or as a compliment to any text typeface.
Rusulica Script contains 490 glyphs with special attention payed to the letters with diacritical marks. It works best with OpenType-friendly applications.
Hey everybody! We could use a little excitement and I know just the place. Let’s head down to the Rumpus Room! It’s fun, it’s casual and it’s a guaranteed good time for all! This charming handwritten pen script looks right at home on your design work or next to a lovely macrame owl hanging!
Rumpus Room is now filled and it’s more versatile than ever! Use this casual playful handwritten font anytime you're aiming for some serious leisure and we mean leisure! Kick back, put your feed on the Naugahyde lounge chair ottoman and enjoy a little Hee-Haw with a Pabst Blue Ribbon! Good times my friends!
